Frequently Asked Questions
About our work
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Our primary timber is Camphor Laurel. This is considered a pest and is often removed, meaning we are not contributing to the pressure on native species for our main supply of wood. Most is sourced locally where possible, preventing it from becoming landfill or woodchip as this wood cannot be burnt as firewood.
Camphor Laurel has beautiful colours in its grains, with browns and greens prominent and even the odd hint of red and blue. It is a hardy timber, though it does like to split as it dries, and the camphor within the wood is a natural antiseptic making this a good timber to use where it will come into contact with food.
Other species are used where needed or when I find any other piece of beautiful timber.
For custom work we can work to any type of hardwood you have or that we can source for you. We only use reputable local timber merchants to ensure a sustainable source and ensuring exotic timbers are properly obtained. -
Unless we are sourcing pre-dried wood, any wood we take from a log will need to be dried. Wood that is dried can lose 30-50% of its weight, it is a lot of moisture. A full log or even a piece may take years to dry and unless this is done carefully the wood will crack.
Our preferred approach is ‘Twice Turning’ and involves turning the wood to the approximate shape of the final product, but thicker. This is then dried by either immersing it in silica gel beads, heating repeatedly in the microwave, or just waiting - a bowl would take about 6 months to air dry.
Using silica beads give the best blend of speed without cracking or excessive warping. It will take 2-4 days to dry with the item in the beads for 24 hours at a time with a day to rest between dries.
Once dry the item is turned to its final shape and finished- hence ‘twice turned’ - which remove any warps that appeared in the drying leaving a stable piece.
For larger items or complex shapes, this can be repeated, drying and turning 3 or even 4 times to get to the final shape with even moisture throughout. -
There are two types of finishes we use - penetrating and surface
Penetrating finishes flow into the wood and are in the form of an oil. The oil highlights the colour and grain of the wood and protect the wood from drying out. We use Organoil Danish Oil, which is a blend of 4 natural oils with no artificial thinners or drying agents. Oil will dry out eventually so to slow this, and to give a beautiful sheen, a layer or bees wax or carnuba wax is applied over the oil.
For pieces intended for heavy food contact we use natural mineral oil with no wax, which is the safest finish for food contact and is often used on wooden cutting boards. Without wax though this needs regular top ups of oil.
Surface finishes do not penetrate the wood and form a shell over the wood. We use shellac (from the lac beetle), which gives a harder, glossier and slightly darker coloured finish.
For custom work we can work to any finish product your prefer, but we always prefer to use natural based products - it is better for you and me!
Both finishes will need to be maintained, refer to the guide below. -
Items using Danish Oil and Beeswax are food safe, though Mineral Oil is a better finish for heavy or wet food contact. With things like dry snacks, oil and wax are fine.
Wood is porous and the finishes are not water proof, so they cannot hold liquids. Liquids, particularly hot liquids can remove the finish and cause the wood to warp.
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I hate wasting good wood! Maximising what we get from the wood we source means more pieces for you and more time at the lathe for me. A win win.
I prefer to breakdown timber myself so I can get the most of out of it ensuring the minimum of waste. Even cracked logs yield beautiful pieces though they may be quite small, but miniature bowls and boxes are often the most beautiful (and are a fun challenge to make). Even off-cuts can be kept to make handles or other parts of larger, assembled work.
When deciding how to breakdown a log the focus will always be on less wasteful designs. A platter or plate has much less waste than a huge, deep pot. A small bowl wastes less than a large bowl. By carefully planning how to obtain larger wood to turn, you ensure the wood around it is used also
No matter how well you plan, turning produces waste wood. Whether it be off cuts from the breakdown process, or shavings from the turning, there will be a significant amount of waste - but it shouldn’t be wasted! All timber waste is fed into a green recycling waste stream to ensure it is properly re-used. All other materials are sorted to maximise recycling.
Caring for your piece
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There are a few simple rules for keeping your piece in top condition:
For items coated in beeswax, avoid cleaning with any form of heat such as hot water and especially a dishwasher. It will remove the wax
Polish firmly with a soft cloth from time to time to remove dust and fingerprints, or other minor blemishes
Avoid using with wet foods, they are safe to do so but this will impact the wood and requires heavier, hotter, cleaning which impacts the life of the finish
Oil and wax finishes can be touched up over time just by wiping on any clear oil (Danish Oil is recommended by it can be anything as long as it isn’t coloured) and then applying a layer of wax with a soft cloth. Spray waxes are easiest.
Items finished with shellac are harder to damage but harder to maintain. As the wood moves eventually cracks will form in the shellac, which makes the wood in that area dry out more, move more, crack the shellac more…. repeat repeat. The only solution is to re-apply the shellac, and if done early you can just wipe it on and buff it with a cloth. For heavily cracked shellac you will need to sand back the cracked area first to get a smooth finish (or just leave them as ‘character lines’). -
Wood is a natural product and it will crack and move. Our pieces are ‘dried’ but that means that are at a similar moisture level as the air in our workshop, at the time it was made. Humidity will be different at your location and varies over the year. As the moisture in the piece changes, it will warp and as it warps cracks can emerge. This is a feature of wood and something imitation products wont do, it is part of what makes your piece unique.
To minimise the changes though you can:
- avoid locations with extreme and rapid moisture and temperature changes, such as outside or on a window sill, or right under the cold dry air-conditioning outlet.
- Maintain the finish! Regular cleaning and reapplication of oil and wax will prevent the surface drying rapidly which leads to ‘checking’ or small cracks on the surface. Once they start they will keep growing.
We design our pieces with a small ring of contact on the base to minimise wobble if it warps, but if it does wobble you can rub the piece on a flat piece of sandpaper until it sits flat again. Start at 180 grit then 240 to remove scratches, moving in the same direction as the grain. Don’t forget to reapply oil and wax to the area after.
For larger cracks or other issues you can always contact us and we are happy to offer advice or how to best preserve the piece.
Custom Designs
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The are many factors that determine the price for custom work, but the main ones are:
Wood - If you would like me to source wood for you I am happy to do so, but only from reputable suppliers. The price of timber varies greatly with species, size and quality. A large blank of exotic wood with no knots or blemishes will be likely the most expensive part of the piece.
Work - This is mostly driven by the complexity of the piece - does the blank require glue up prior to turning or is the piece made of multiple parts? A lidded box not only is double the parts, but they have to fit too. Other factors are the type of wood, as some are harder to turn or dull tools quickly, and the finish requested.
Shipping - Shipping is an actual cost estimate based on the agreed shipping method.
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The turning time depends on how complex the piece is and how many parts are involved. The size of the item, and in particular the depth, drive the overall time.
The wood will also play a key role, as green wood (wet wood) needs to be dried before final shaping and finish. Depending on the agreed approach this can vary from days to months.
This will be documented in the design brief and agreed up front. Should there be any changes throughout the project I will be in contact as soon as practicable.
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Wood is a natural product and may have hidden cracks, voids, blemishes or other issues that emerge during turning or drying. Regardless of the source of the wood, I cannot predict these issue so all I can do if they come up is work out a solution you are happy with.
Depending on the issue it may be repairable with glue, filled with epoxy coloured to give a highlight, or the design may need to change.Rarely (I hope never - it can kill!) the wood may fail entirely and if that happens then the project must end.
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Wood turning is dangerous, and I wont take unnecessary risks.
Certain woods are carcinogenic, or are prone to splintering and shattering. Some designs my not provide sufficient support.
Turned is my art, so every item reflects my style. There are a multitude of styles out there and if the design you want isnt aligned with my style, then I am not the best artist to help you. I’d rather you went to someone who will produce the item you truly want rather than to end up with an item that is not all that you hoped for.
I make it a priority to identify these as early as possible in the design meeting so we all feel comfortable moving forward. Custom Designs are a team effort!
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I hope that when you open the box you are truly amazed by what you receive, and love the blend of your ideas and my art.
However this is an art, all items are hand made and are my artistic interpretation of your design. I will make every endeavor to deliver to the design but you are purchasing my art rather than a machine created item. The wood will ultimately decide what it wants to be.
For this reason if the piece meets the brief there are no refunds.
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The design consultation is payable up front. Once the design brief is delivered any significant changes will incur a further charge, to be negotiated directly based on the size of the change.
If in the first part of the design consultation we realise I am not the right artist for you, I will refund the design fee.
If you are happy with the design brief and want to proceed an upfront payment of 80% is required to start work. The final 20% is due when the item is ready to ship.
All payments are due 7 calendar days from the invoice date.
In the case of a catastrophic failure or other event that terminates the project, the final 20% invoice will be waived.
Shipping
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All items are shipped using Sendle, which is not only cost effective for you but is 100% carbon offset so we don’t add to the climate burden. Shipping can be combined if you buy multiple items.
Other service may be agreed for Custom Designs if requested.
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Not currently.
Wood is a natural product that is subject to import and export rules in many countries, as may various finishes. Navigating these rules is currently beyond what I can do.
For Custom Designs I am happy to discuss shipping on the understanding that the exporter of record is the client.
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Yes, a local pickup can be arranged. I am located in the northwest of Sydney. Please contact me directly to discuss.